David Teniers
Belgian 1610-1690 David Teniers Gallery Flemish painter. His father, also named David Teniers (1582 ?C 1649), was a painter of primarily religious subjects. The younger Teniers was highly prolific and is best known for his genre scenes of peasant life, many of which were used for tapestry designs in the 18th century. He was brilliant at handling crowd scenes in an open landscape and adept at characterizing his figures with a warm, human, and often humorous touch. As court painter to the archduke Leopold William, he also made many small-scale copies of paintings in the archduke collection; engraved and published as Theatrum Pictorium (1660), they constitute a valuable source as a pictorial inventory of a great 17th-century collection.
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David Teniers gambling scene at an lnn oil painting


gambling scene at an lnn
mk247 c.1649 .oil on oak panel,16x23 in,40.2x57.9 cm,wallace collection,london,uk
Painting ID::  56078 		David Teniers
gambling scene at an lnn
mk247 c.1649 .oil on oak panel,16x23 in,40.2x57.9 cm,wallace collection,london,uk
   
   
     
David Teniers the archery contest oil painting


the archery contest
mk247 c.1645,oil on wood,21.25x34.5 in,54x88 cm,museo del prado ,madrid,spain
Painting ID::  56780 		David Teniers
the archery contest
mk247 c.1645,oil on wood,21.25x34.5 in,54x88 cm,museo del prado ,madrid,spain
   
   
     
David Teniers the painter's marriage oil painting


the painter's marriage
1651 collection e ivens
Painting ID::  64274 		David Teniers
the painter's marriage
1651 collection e ivens
   
   
     
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     David Teniers
     Belgian 1610-1690 David Teniers Gallery Flemish painter. His father, also named David Teniers (1582 ?C 1649), was a painter of primarily religious subjects. The younger Teniers was highly prolific and is best known for his genre scenes of peasant life, many of which were used for tapestry designs in the 18th century. He was brilliant at handling crowd scenes in an open landscape and adept at characterizing his figures with a warm, human, and often humorous touch. As court painter to the archduke Leopold William, he also made many small-scale copies of paintings in the archduke collection; engraved and published as Theatrum Pictorium (1660), they constitute a valuable source as a pictorial inventory of a great 17th-century collection.

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